Over 300 remote projects recorded for film, TV, and artists
Studio-quality flute recordings from my studio for clients anywhere in the world, clean and ready to drop into your mix.
Flute Remote Recording
BOOK Your SESSION
Raving student
Finley blew me away with her attention to detail and messaging. I've never been able to properly articulate my brand voice. I saw a 10x revenue increase since taking this training!
1
•
9
sttl
wash
2
•
0
The Workflow
Wondering how the collaboration process works?
A streamlined process that brings your music to life
I’ll record your flute parts from my professional studio with my top-quality microphone and gear. Each take is performed, comped, and polished to capture your creative vision.
02
Recording
You’ll receive organized stems ready to drop straight into your mix. If anything needs adjusting, I’m always happy to make revisions until you’re completely satisfied with the final result.
03
Delivery
Send me the files and any creative direction for your project, and I’ll take care of the rest. I’ll review all the details and reach out if I need any more information before recording.
01
getting started
I’m Gina Luciani, a Los Angeles–based flutist who specializes in remote recording for film, TV, and commercial music. With over 300 projects completed, I love helping composers and producers around the world bring their scores to life through expressive, high-quality performances. From my professional studio, I deliver clean, comped, and polished flute tracks, ready to drop straight into your mix.
Flute remote recording
My Recording Setup
Trusted tools behind my studio-quality sound
My Recording Setup
Trusted tools behind my studio-quality sound
With over 100 flutes from around the world, I can add authentic textures and tone colors to your score with instruments like the Native Flute, Ocarina, Bansuri, and Irish Whistle.
WORLD FLUTES
TRADITIONAL FLUTES
My Instrument Collection
Cobra Kai, Weird: The Al Yankovic Story
Leo Birenberg
“Gina is one of my absolute favorite musical collaborators. She is creative, versatile, and the quality of her remote recording is top-notch. It makes scoring extremely flexible and keeps the focus on the music.”
Captain Marvel, Avatar: Frontiers of Pandora
Pinar Toprak
"I recently worked with Gina on a project and was blown away by how organized, prompt, and meticulous she was. From her artistic choices, to her technical savvy, to clear labeling, she made my job easier when I was in a time crunch."
Onward, The Hunting Wives
Jeff Danna
"I have always had Gina come in to play at my studio, but recently we had to do remote work for Guillermo Del Toro's Tales Of Arcadia finale. Gina delivered her parts with sparkling fidelity and her always-wonderful tone and feeling. We just missed her smile over here!"
The Morning Show, And Everything Is Going Fine
Forrest Gray
“While I’d always prefer to be in the studio with the musicians I work with, that’s not always possible. Gina makes such situations painless for composers, consistently delivering high-quality remote recordings that elicit my two favorite words: “no notes!”
Joy Ride, Chef’s Table: Legends
Nathan Matthew David
"Gina has been a trusted collaborator and a good friend for many years! Her recordings have been all over my scores, and most recently on my work for Chef’s Table. Working with her is so easy and she’s tremendously accommodating with her remote setup. It always feels like Christmas when I get tracks back from her. Her talent and playing elevates each cue she touches. I’m grateful for be able to call her a collaborator!”
Locke & Key, Five Days at Memorial
Torin Borrowdale
"Gina brought Bode's theme in Locke & Key to life! I can always count on her for quick and clear communication, and impeccably clean audio and a great interpretation. Gina is my go-to flute player!"
The Night House, Hellraiser
Ben Lovett
"Gina’s always at the top of my call list. She’s dependable and fast, and her ability to record remotely is a lifesaver on tight deadlines. Whether interpreting written parts or improvising on an idea, she infuses everything with taste and creativity. She’s a true pro, an organized, precise and adaptable musician who makes collaboration effortless.”
Spoiler Alert, Jentry Chau vs. The Underworld
Brian H. Kim
"I cannot imagine a better collaborator than Gina. Every time we have worked together, either on the recording stage or remotely, I have left the session saying “wow.” Her uncanny ability to get in the pocket of any style, her impressive arsenal of world instruments, and her technical skill when recording remotely have made her an indispensable part of my squad. “
Potato Dreams of America, Home is a Hotel
Catherine Joy
"I have worked with Gina on many projects including the Oscar-Nominated Score for Minari. I love her playing and also find her so professional and easy to work with. She is a wonderful collaborator!"
Elevation, The Newsroom
Scott Salinas
"Gina is quite literally the best! Not only is she a fabulous player, but she gets excellent recordings at her remote studio and they come in clean and ready to drop into your session. Also, make sure you ask her about all her flutes, she’s got a wide range of instruments she can play and is fantastic on all of them."
KPop Demon Hunters, Hit-Monkey
Daniel Rojas
"Gina’s experience and versatility makes her an ideal remote recording musician for me. She has been recording from home since before the pandemic and is very familiar with the needs of composers, both musically and technically. Everything you get back sounds fantastic and is ready to be flown into your session so you can keep working.”
Splitsville, Sometimes I Think About Dying
Dabney Morris
"I have always had Gina come in to play at my studio, but recently we had to do remote work for Guillermo Del Toro's Tales Of Arcadia finale. Gina delivered her parts with sparkling fidelity and her always-wonderful tone and feeling. We just missed her smile over here!"
Avatar: The Last Airbender, Horse Girl
Jeremy Zuckerman
"I've had the true pleasure of working with Gina on a variety of projects from concert music to film and television scores. Each time she's proven herself to be a true master of her craft and a consummate professional.”
The Broken Hearts Gallery, Audrey’s Children
Genevieve Vincent
“Gina is one of those rare players who makes the entire process feel effortless. Her timing, tone, and professionalism are impeccable, and she always brings thoughtful ideas. When recording remotely, often sending multiple woodwind options that dropped perfectly into my tracks, including on Fantasy Island (FOX). Beyond her exceptional musicianship, she has a genuinely delightful attitude that makes every collaboration fun.”
The Righteous Gemstones, Running Point
Joseph Stephens
"Gina is the best. We’ve collaborated on a handful of projects and she always delivers beautifully performed fantastic recordings. It can be tricky working remotely but Gina is intuitive, can read between the lines, and makes things easy.”
What Composers Are Saying
FILM/TV DEMO
film and television scores featuring Gina as flute soloist
FILM/TV DEMO
film and television scores featuring Gina as flute soloist
Recording Demos
Raw and final track examples
Zoom interaction with the composer
Sheet music overlay
Multi-angle edited video
Signature split-screen video
Raw behind-the-scenes footage
Video Packages
A resource library with a plethora of recorded training videos
Four full scale modules to help you break down the whole process
A go at your own pace program to kickstart your business
In just 5 short days from now, you have achieved this powerful and desirable result.
But just imagine...
introducing
Profitable Partnerships
Profitable partnerships
A 3-part self study series designed by Finley Austen to show you how to navigate affiliate marketing through blogging and sharing our favorite products in the process. Get an insider peek at our whole process from start to finish, so you can market yourself to your leads with the confidence, knowledge and resources to build high-converting, impactful connections with your partners.
Wondering whats in the training?
- List your valuable features here
- Another valuable feature goes right here
- You'll find these templates inside this module
Give a quick summary of what they will be learning in this module and what it's all about.
Part One
- List your valuable features here
- Another valuable feature goes right here
- You'll find these templates inside this module
Give a quick summary of what they will be learning in this module and what it's all about.
PART Two
- List your valuable features here
- Another valuable feature goes right here
- You'll find these templates inside this module
Give a quick summary of what they will be learning in this module and what it's all about.
PART Three
Human-centered, mass incarceration B-corp; sustainable social enterprise; green space disrupt natural resources circular unprecedented challenge. Innovation grit a big data empower. Families, design thinking white paper.
Human-centered, mass incarceration B-corp; sustainable social enterprise; green space disrupt natural resources circular unprecedented challenge. Innovation grit a big data empower. Families, design thinking white paper.
Human-centered, mass incarceration B-corp; sustainable social enterprise; green space disrupt natural resources circular unprecedented challenge. Innovation grit a big data empower. Families, design thinking white paper.
Human-centered, mass incarceration B-corp; sustainable social enterprise; green space disrupt natural resources circular unprecedented challenge. Innovation grit a big data empower. Families, design thinking white paper.
Frequently Asked Questions